Code: | PA15 | ||||||||||||||||||||||||||
Acronym: | PPA | ||||||||||||||||||||||||||
Section/Department: | Arts | ||||||||||||||||||||||||||
Semester/Trimester: | 1st Semester | ||||||||||||||||||||||||||
Courses: |
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Teaching weeks: | 15 | ||||||||||||||||||||||||||
Weekly workload: |
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Head: |
João Pedro de Campos Duarte Antunes |
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Lectures: |
João Pedro de Campos Duarte Antunes |
Portuguese
Provide students with knowledge of fundamental concepts of audiovisual post-production, as well as the technical mastery of tools and processes for post-production of works of different natures, such as documentaries, fiction, reports or 2D / 3D animations.
Understand and apply audiovisual editing techniques.
Perform edits using non-linear software.
Apply effects, transitions and motion graphics considering as characteristics of audiovisual communication.
Design and develop forms and supports of audiovisual dissemination (formats for visualization in computer support, online dissemination, dvd-video)
Edit, finalize and master the projects recorded within the Audiovisual Production curricular unit.
Learn post-production standards and procedures.
The post-production workflow and the appropriateness to the audiovisual project
Post-production and the various videographic and cinematographic genres
Types of assembly
"The rule of six"
The importance of editing in diegetic construction (space, time, action and narrative).
The assemblage of continuity in narrative cinema
The audiovisual composition: Typology of plans; Movement and rhythm
The ellipse is the assembly.
Notion of space and time: the raccord
Equipment and programs for the non-linear edition of digital video.
Interchange formats and protocols.
Color Correction
Codec's, rendering and exporting.
Blackmagic DaVinci Resolve
Adobe Media Encoder
Adobe Premiere
Adobe After Effects
To value the relation between the technical and technological domain with the concept and the audiovisual language in order to enhance the artistic and creative facet.
The methodology is based on the presentation of contents and theoretical-practical fundamentals with support to audiovisual and bibliographic resources and the practice of assembly exercises, in order to consolidate technical and artistic knowledge.
The presentation of theoretical contents will be followed by exercises / demonstrations carried out by the students.
The projects produced under the C.U. of Audiovisual Production will be post-produced
The progression in the post-production of the contents made by the students will be monitored and evaluated continuously.
Any student of this curricular unit must adapt and try working methods and find better fitted workflows for different situations.
The regular practice of editing exercises allows to consolidate the technological domain but, also, forces the confrontation with situations of diverse conditioners. The student, in search of solutions, both in planning and execution, triggers processes to approach and solve problems.
Thus, combining creative and technical skills, the student obtains adequate routines and methodologies to the post-production professional environment.
The evaluation is continuous and will have the following weighting:
Technical domain of post-production media - 20%
Individual tests and exercises - 25%
Performance of roles and team collaboration - 15%
Group audiovisual product - 25%
Levels of involvement, relevant participation and attendance - 15%
Students who do not attend at least 75% of the practical classes will be excluded from the final evaluation.
Description | Type | Tempo (horas) | End Date |
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Attendance (estimated) | Classes | 0 | |
Total: | 0 |
Arijon, Daniel;Grammar of the Film Language, Silman-James Press, 1991. ISBN: 9781879505070 |
Bricca, Jacob;Documentary Editing: Principles & Practice, Taylor & Francis Ltd, 2017. ISBN: 1138675733 |
Murch, Walter;In The Blink Of An Eye A Perspective On Film Editing, SILMAN-JAMES PRESS,U.S., 2001. ISBN: 9781879505629 |
Dancyger, Ken;The technique of film and video editing : history, theory, and practice, Focal Press, 2011. ISBN: 978-0-240-81397-4 |
Reisz, Karel; Millar, Gavin;The Technique of Film Editing, Focal Press, 2010. ISBN: 978-0-240-52185-5 |
Students with a special status and who can not attend regularly the Curricular Unit may be evaluated on a continuous assessment basis, after negotiation with the C.U. faculty member. This negotiation may result in the definition of elements and moments of evaluation different from those presented in this program.
Students with normal status who do not obtain a grade in the assessment or who do not attend the course will be evaluated by a practical exam (on all contents exposed in this program), to be taken on a date to be defined by the ESE / IPS Board.
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